We read and watch news about caste-based violence and move on with our comfortable lives. He would have let it slide, only if the villagers prostrated themselves before him. He is not worried about vandalism committed by the villagers. He also did not like the fact that the men in the village did not bow in front of him and looked him in the eye. Demanding basic human rights is akin to asking for death for an entire village.Ī high-level cop bays for the blood simply because his pride was hurt when the village head refuses to remove the towel around his head. For example, standing up for one’s self-respect is suicidal. It is an approximation of generations of sufferings of people, who have been subjected to unspeakable atrocities owing to where they belong in the caste hierarchy. This film needs to be experienced emotionally and visually. It is unfair to measure this film in terms of story and whether you agree with the logic of the narration. It is pointless to discuss the plot of Karnan. The heavy emotions that the opening scene evokes in you will only grow stronger as you come to see how a community of people are dehumanised. Like a street dog, she is left alone on the road as if her young life has no value.
It happens over and over again as no one stops to help the little girl. You watch the scene with horror as it finally happens. And you know in a bit she will directly come under the wheels of the bus.
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As she lies there quietly, you can see an oncoming bus, whose driver seems to be unaware of the girl lying on the road, or so you think. Nobody comes to her rescue and she stops moving after a while. We understand Kumar’s plight and insistence for reimbursements, but why demand it from Rajinikanth? What connection does the superstar have with the film, besides the fact that it’s his daughter and son-in-law’s work? We think Kumar should confront the producers of the film instead of hounding Rajinikanth.Karnan opens with a scene of a girl who is not more than 10, suffering a fatal seizure in the middle of a road. Also Read - Atrangi Re song Rait Zara Si: The mesmerizing number perfectly showcases the love triangle between Akshay Kumar, Sara Ali Khan and Dhanush Responding to this, Dhunush's father and producer of 3, Kasthuri Raja said that he will file a case of defamation against Natti Kumar if he continues to make such baseless complaints and drag his son and daughter-in-law into it. He further asserts that the makers of the film pocketed all the money and gave very poor production value. Even the hit song, Kolaver di was shot very economically at a beach. He also says that the production value of the film is very low. The distributor claims that the film was completed inexpensively using a digital camera worth Rs 6 crore and was sold for Rs 80 crore worldwide, including Rs 5 crore for Telugu rights. Rai REVEALS major Salman Khan connect in Akshay Kumar-Dhanush-Sara Ali Khan starrer “I urge Rajinikanth to mediate since we bought this film only for his brand name,” said Kumar to a daily. Kumar lodged a complaint at the Hyderabad police station and urged Rajinikanth to pay for the losses incurred. This did not go down too well with Tollywood producer-distributor Natti Kumar who incurred a huge loss. But 3 came as a huge disappointment for the audience, and bad word of mouth resulted in low collections at the box office. The hype around the song Kolaveri diand the over-the-top publicity invoked a lot of curiosity among the masses.
The Dhanush and Shruti Haasan starrer film, directed by Rajinikanth’s daughter Aishwarya, was slated to become a blockbuster. Even the distributors believed so and paid a whooping Rs 80 crore for it. The Kolaveri di film, 3 was touted to become a huge success at the box office.
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